Apr 6 2016

Bringing Fleet Street to PlayMakers

There’s no place like London, but Jan Chambers‘ masterful design for Sweeney Todd undoubtedly pulls us right into the heart of Fleet Street. The set is expansive and multi-tiered, featuring everything from revolving rooms to trap doors.

Mar 28 2016

Jen Wineman on Love, Vengeance and London’s Worst Pies

It took director Jen Wineman a while to figure out what drew her to the story of Sweeney Todd, but when she figured it out, it all clicked. “It’s actually quite simple. Sweeney Todd is ultimately a musical about love. No matter how gruesome the subject matter—or maybe because of it—people relate to this story.”… Read more »

Mar 28 2016

Refining the Vocal Sound of a Production

My job title, Resident Vocal Coach, is commonly used throughout American theatre, but I find the title misleading. In fact, most people assume I either teach people how to sing or that I wear athletic shorts and a whistle around my neck as I bark orders.

Mar 24 2016

Making Sweeney Dance

Stephen Sondheim’s sumptuous score for Sweeney Todd leaves you humming long after leaving the theatre. It’s choreographer Tito Hernandez’s job to translate that captivating music physically onto the stage through dance.

Mar 17 2016

Amend the Tale: Sondheim, Sweeney and Suspect Savories – Part 2

In a decade in which the American Musical was enmeshed in a state of seismic change, the five collaborations between Stephen Sondheim and director Harold Prince form a stunningly ambitious body of work embodying all of the major transitions. Their first production, the landmark Company (1970) ushered in an era of fractured plots, non-literalist settings, and the tone of ambivalence that would collectively rule the genre.

Mar 17 2016

Amend the Tale: Sondheim, Sweeney and Suspect Savories – Part 1

To paraphrase Voltaire, if Sweeney Todd didn’t exist, it would be necessary to invent him. A figure equally haunting the shadows of his Fleet Street storefront and the whole of the 19th century English imagination, the fiendish barber holds a telling place in the grinding progress of the Industrial Revolution and its headlong rush toward the modern world.

Mar 10 2016

6 Actors Send a Powerful Message

Audiences have been deeply effected and eager to discuss the emotional power they’ve felt while experiencing We Are Proud to Present… The “play within a play” also has reviewers admiring what this show delivers in only 90 minutes.

Mar 4 2016

Exciting Casting News for Sweeney Todd!

We’re thrilled to announce casting coups for our musical Mainstage finale – Sweeney Todd. As rehearsals get underway, two phenomenal actors straight from Broadway have joined our company here in Chapel Hill!

Mar 3 2016

Projecting We Are Proud to Present

One of the most exciting things about being a projection designer is that the work can take so many different forms. Sometimes it’s putting images onto screens; sometimes it is projecting onto objects and varied textures within a set. Sometimes it involves a lot of filming and creating short films; sometimes it involves lots of digital content creation, like creating the world of a video game.