Mar 17 2016

Amend the Tale: Sondheim, Sweeney and Suspect Savories – Part 1

To paraphrase Voltaire, if Sweeney Todd didn’t exist, it would be necessary to invent him. A figure equally haunting the shadows of his Fleet Street storefront and the whole of the 19th century English imagination, the fiendish barber holds a telling place in the grinding progress of the Industrial Revolution and its headlong rush toward the modern world.

Mar 10 2016

6 Actors Send a Powerful Message

Audiences have been deeply effected and eager to discuss the emotional power they’ve felt while experiencing We Are Proud to Present… The “play within a play” also has reviewers admiring what this show delivers in only 90 minutes.

Mar 4 2016

Exciting Casting News for Sweeney Todd!

We’re thrilled to announce casting coups for our musical Mainstage finale – Sweeney Todd. As rehearsals get underway, two phenomenal actors straight from Broadway have joined our company here in Chapel Hill!

Mar 3 2016

Projecting We Are Proud to Present

One of the most exciting things about being a projection designer is that the work can take so many different forms. Sometimes it’s putting images onto screens; sometimes it is projecting onto objects and varied textures within a set. Sometimes it involves a lot of filming and creating short films; sometimes it involves lots of digital content creation, like creating the world of a video game.

Feb 26 2016

Helpful Terms & Conditions to Navigate We Are Proud to Present…

In my program note, I discuss how Jackie Sibblies Drury’s play, We Are Proud to Present…, uses the device of a young company of actors devising work together to uncover how ill-prepared we are as Americans to discuss issues of race and the experiences of and privileges afforded by structural racism.

Feb 24 2016

Bringing Wonder to a ‘Presentation’ Through Lighting

For lighting designer Porsche McGovern, life itself is the biggest inspiration. “I watch my toddler run around and try to think about her sense of wonder. I try to bring that sense of openness and vulnerability to the rehearsal room.” Porsche does research, however prefers looking towards nature itself because it’s difficult to capture real sunlight in photographs.

Feb 23 2016

Some Background on the Herero and German Südwestafrika

Despite its title, this play is not a history lesson about German colonialism at the turn of the 20th century. It is not a chronicle of traditions and culture of the Herero; it does not detail the structural and institutional details of genocidal violence. That said, as Actor 4 observes “everything we’re talking about happened to real people, a whole people, not just one family, thousands of families.” In an effort to honor those people, we offer these resources for your own investigations.

Feb 18 2016

Director Desdemona Chiang on Presenting this Presentation

PlayMakers audiences will remember Desdemona Chiang’s direction of last season’s beautifully delicate 4000 Miles as well as the fun and fantastical Hairspray for Summer Youth Conservatory. She returns to us now for something else completely different with the wildly provocative and bitingly funny We Are Proud to Present….

Feb 16 2016

Productive Discomfort

When you’re trying to make something, not everyone’s going to be happy during every minute of it.
We Are Proud to Present…