Cabaret is based on Christopher Isherwood’s memoir Goodbye to Berlin. The opening sentence describes…

After fourteen months of reading, research, planning and preparation, here we are beginning rehearsals for Cabaret and I am filled with the terrifying feeling that I have at the beginning of every project: I can’t possibly begin since I don’t know enough about anything. I have learned enough about myself as a director to know that this crucial stage, as I step into rehearsals for the first time, of “unknowing” is as important as researching and contemplating the play deeply.

Returning to PlayMakers to play the role of Lana Sherwood in It’s a Wonderful Life: A Live Radio Play has been both a pleasure and a challenge. It’s Monday, our day off from the run, and it’s startling how exhausted I am. With our busy schedule of eight shows this last week, resulting in two double-show days fraught with twice the amount of time wrangling elaborate victory rolls on my heavily gelled and ossified hair, the joy of acting has shown its flip side as quite a bit of hard work. It’s impossible to do each show well without sufficient rest in between.