This may be Laurelyn Dossett’s first time working with PlayMakers, but she’s no stranger to composing for theatre about North Carolinian life.
UNC’s newest Distinguished Alumnus returns to PlayMakers for the final piece of a season bookended with productions about life and social disparity in North Carolina.
What’s the first thing you’ll notice when you step into the Paul Green Theatre “Leaving Eden”? Stuff—tons and tons of miscellaneous objects lining the perimeter of the stage.
In Part II, we continue our look at the production process for “Leaving Eden,” cornering scenic charge Jessica Secrest to learn the secrets of painting one thing to look like another.
Get an insider’s look at the scenic production process for “Leaving Eden.” In Part I, we catch up with scenic designer Jan Chambers and the beginning of the construction process.
Playwright and documentarian Mike Wiley is ever-mindful of history’s echoes. And never more so than in his upcoming new play “Leaving Eden,” with music by Laurelyn Dossett.
This year we even got some guest artists in on the excitement of the rotating repertory. But have you ever thought about what it’s like being part of the rep?
Here at PlayMakers we have a permanent professional team of actors, designers, artisans, and technicians working on every show. So, we wanted to give YOU the chance to meet our team.
After working at numerous theatres across the country, Saheem Ali is bringing his artistic talent to PlayMakers for Molière’s “Tartuffe,” in a dynamic new adaptation by David Ball.
Recently, we had the opportunity to speak with “The Christians” director Preston Lane about his early beginnings, directing process, and what excites him about directing this play now.