The Toast of Mayfair

Beth Siegling (Sally Bowles). Photo by HuthPhoto.As a rising senior at United World College in Costa Rica, Summer Youth Conservatory actress Beth Siegling is no stranger to international living. Still, playing the role of Sally Bowles is a stretch even for her. Cabaret‘s beguiling English ex-pat will be Siegling’s first leading role in three years of SYC training.

“I have worked extensively on perfecting Sally’s dialect and character voice,” Siegling says. But it’s understanding Sally’s world that she finds more troubling. “Although she is a wonderful character and lots of fun to portray onstage,” she says, “it has been a great challenge for me to accept that politics simply aren’t of great importance to Sally.”

Set a Berlin nightclub and the decadent world of denial that characterized the Weimar Republic, Cabaret tells the story of the Kit Kat Club and its self-destructive chanteuse as seen through the eyes of an American writer, Cliff Bradshaw. Through entrancing musical numbers and enticing costumes, the audience is drawn into the heady and tumultuous lives of Berlin’s natives and expatriates as Germany slowly yields to the Third Reich.

“Sally is outrageously authentic—she is a woman who does not compromise herself for anyone—she pursues her passions and doesn’t pay regard to those who attempt to make her smaller, and that is something I love about her.”
Beth Siegling on Sally Bowles

Beth Siegling (Sally Bowles, center) and her members of the 'Cabaret' ensemble dig into their scripts during rehearsal. Photo by Sarah Rolleri.

But to make her political indifference even more striking, Cabaret features the tentative beginnings of a romance between the landlady of Sally’s boarding house and a mild-mannered fruit seller who happens to also be Jewish.

Perhaps if Sally had her eyes open, she’d be able to see what the audience readily sees. But as Siegling puts it, “Although she is a wonderful character and lots of fun to portray onstage, Sally Bowles is a woman who is politically oblivious in a time of great socio-political turmoil.”

“Our ensemble has worked incredibly hard to create a world of song and dance that draws the audience in and allows them to understand what was at stake for the German populace.”Beth Siegling on the contemporary importance of the show

Don’t let the heavy themes fool you. Cabaret is still a musical, packed with familiar and and infectious songs such as “Willkommen,” “Don’t Tell Mama,” and the stunning title song—an 11 o’clock number to beat them all.

You can catch the Summer Youth Conservatory production of Cabaret onstage at PlayMakers July 18–29. Due to subject matter and adult situations, we recommend parents use more discretion than usual when deciding whether or not their children should attend. For more information and tickets, click here.