The Bard’s last play – the theatre’s first work of magical realism. In the aftermath of a shipwreck of his own conjuring, exiled Prospero wields magical powers and manipulation to restore his daughter Miranda to her rightful place. His machinations bring about revelations, romance and redemption on a mysterious island.
Joseph Haj Makes the Case for Co-Directing
PlayMakers’ own Joseph Haj recently published an article in American Theatre discussing co-directing. Over the past few years...