Mark Hartman has whittled the “She Loves Me” orchestration down to fill out a 6-piece band. But it isn’t about economics; it’s a matter of director Kirsten Sanderson‘s vision for the show.
How does a character’s personality inform Bobbi Owen’s costume designs? And how do those designs move from sketch to reality in the hands of draper Jane Reichard?
In the age of swiping, liking, and messaging to find love, maybe “She Loves Me”‘s Georg and Amalia can help us find what we’re missing…
PlayMakers Mobile set off in Spring 2017 to take great theatre outside of our building to share with the community. And each performance is absolutley free.
Like many acknowledged classics, “She Loves Me” had a long and compelling genesis, but for songwriting team Sheldon Harnick & Jerry Bock it was “love at first write.”
“She Loves Me” director Kirsten Sanderson introduces you to this exquisite, “perfect little gem of a musical.” Will you like it? You’ve just got to!
First seen on Broadway in 1963, “She Loves Me” was as good as lost to generations of theatergoers until the story of two feuding clerks at a Hungarian parfumerie got its first revival.
“As soon as I read it, I knew I would do it.” G Clausen makes his PlayMakers debut with a show that’s right up his alley. Experience the hip-hop-infused, rhythm-driven sound design of “Skeleton Crew.”
One setting, four players. Scenic designer Jan Chambers and director Valerie Curtis-Newton take you inside the world of Dominique Morisseau’s “Skeleton Crew.”
Theatre can get a bad rep for being stuffy, but Dominique Morisseau is shaking things up with her Rules of Engagement.