Meet the costume designer behind the gorgeous gowns of “Emma” and get a glimpse into the visual storytelling behind Lex Liang’s design.
“I’m not a lover of clothes, necessarily, but I really love telling stories,” says Melanie Burgess, the guest costume designer for Blues for an Alabama […]
As you walk into the lobby of the beautiful Paul Green Theatre for August Wilson’s “How I Learned What I Learned”, you might notice something […]
In a time of political unrest, director Andrew Borba shares his insight on the timelessness of Shakespeare’s “Julius Caesar.”
Director Zi Alikhan and the creative team are working to make the most immersive set PlayMakers has ever seen, giving audience members an new, up-close-and-personal experience.
It’s 1930s Chicago with 64 scenes in over 15 different locations. Where do you go with the set design of “Native Son” when all Bigger Thomas wants to do is fly? An airplane hanger, of course.
Here’s what our Artistic Director Vivienne Benesch is up to while directing in D.C.
Like many acknowledged classics, “She Loves Me” had a long and compelling genesis, but for songwriting team Sheldon Harnick & Jerry Bock it was “love at first write.”
Finding the spirit of Robin Hood in a time that truly needs it can be difficult, but Jessie Austrian is up to the challenge. And she thinks you are, too.