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Everybody

They say you can’t take it with you, but that won’t stop Everybody from trying! One of America’s hottest young playwrights gives the 15th-century morality tale a much-needed lift of theatrical whimsy, as Everybody—hounded by Death—desperately searches among everything and everyone in hope of finding something to take along on life’s final journey.

Five brave actors will be assigned their roles by lottery each night as they fight for the opportunity to cheat Death.

Ragtime

Nominated for thirteen Tony Awards including Best Musical, this triumphant masterpiece bursts forth with show-stopping splendor and unbridled passion. Prepare to be swept away by the diverse rhythms of the turn of the 20th century as three intersecting narratives capture the rich complexity of the American experiment past, present, and future. Cultures clash, people change, and hope shines in the darkness.

Dairyland

Raw from an office romance, stinging from a journalistic rivalry, and exhausted by a never-ending series of baby showers, Allie, a food writer in New York City, never expected to find herself on the wrong side of an epic food fight. When she escapes to her father’s dairy farm in Wisconsin, she meets a cow named Patches who promises to show her the way home.

Native Son

On Chicago’s South Side in the 1930s, Bigger Thomas struggles to find a place for himself in a world where systemic oppression and poverty make fear and violence the everyday currency of life.

Most famously adapted by Carolina’s own Paul Green, Richard Wright’s seminal novel is ready to capture the hearts and minds of another generation with Nambi E. Kelley’s heart-stopping and theatrical new adaptation.

The Amish Project

A fictionalized exploration of how the wider Nickel Mines community was affected by the Amish schoolhouse shooting in the early 2000s and how the surprising response of the Amish gave hope to a nation.

No Fear and Blues Long Gone: Nina Simone

The music, loves, and losses of the legendary North Carolina musician. Yolanda Rabun stars as the High Priestess of Soul in this one-woman play with music.

A world premiere from Triangle playwright Howard L. Craft and directed by longtime PlayMakers company member Kathryn Hunter-Williams.

Edges of Time

A one-woman show about the early life and career of the journalist, activist, and all-around unconventional woman. Starring Kathryn Hunter-Williams.

Bright Star

Featuring the Grammy-nominated score by Steven Martin and Edie Brickell, Broadway’s Bright Star tells a sweeping tale of love and redemption set against the rich backdrop of the American South in the 1920s and ’40s. Inspired by a real event, set in many familiar locations in North Carolina, and propelled by an ensemble of onstage musicians and dancers, the story unfolds as a rich tapestry of deep emotion, beautiful melodies, and powerfully moving performances. It’s a theatrical experience as refreshingly genuine as it is daringly hopeful.

The Music Man

The Music Man follows fast-talking traveling salesman, Harold Hill, as he cons the people of River City, Iowa, into buying instruments and uniforms for a boys’ band that he vows to organize – this, despite the fact that he doesn’t know a trombone from a treble clef. His plans to skip town with the cash are foiled when he falls for Marian, the librarian, who transforms him into a respectable citizen by curtain’s fall.