by Jacqueline E. Lawton Directed by Kaja Dunn When politics become personal, what price must we pay? Every time Mira’s husband returns home from war, […]
Shows
In the summer of 1961, the fiery first months of America’s civil rights movement, waves of young people rode buses into the heart of the […]
A struggling playwright bends time and space as two philosophers, one brother, and a few other surprising characters converge upon Henry David Thoreau’s cabin for a zany evening that promises to be as unexpected as it is delightful.
Poetry, rap, and storytelling join forces in a tale of race, whiteness, language, and Hip Hop as a global community. Writer-performer and UNC graduate Kane Smego draws on his experience as an international touring poet, Hip Hop artist, youth educator, and native of the American South in this virtuosic one-man show.
Compassionate, heartbreaking, and sometimes even funny, this Pulitzer Prize-winning play chronicles one woman’s journey to break the cycle—and silence—surrounding the years of sexual abuse she experienced at the hands of a beloved family member. A story of boundaries, personal agency, and how hindsight is not always 20/20, How I Learned to Drive has earned its place as a modern masterpiece and achieves a powerful new resonance in the era of #MeToo and #TimesUp.
Galileo Galilei: father, hero, heretic. When a chance discovery leads to evidence of a seismic shift in scientific thinking, Galileo sparks a dangerous dispute with authority. To challenge the idea that the earth is the centre of the universe is to challenge the all-powerful Roman Catholic Church. Brecht’s dramatisation of the battle between belief and reason considers whether proof matters when dogma reigns.
In the whimsically theatrical world of Jump, lights flicker, hearts heal, and you never know what surprises might literally fall from the sky. Discover the magic of hope in the midst of grief and the promise of human connection as two strangers find solace on a bridge.
Book by Joe Masteroff
Music by Jerry Bock
Lyrics by Sheldon Harnick
In this romantic musical comedy of mistaken identity, there is no love lost between Amalia and Georg, two perfume clerks who can’t seem to find common ground. Then Georg realizes they’ve been one another’s anonymous pen pals, kicking off a new quest to win her heart. This euphoric comedy with a soaring musical score, puts the working class front and center—allowing their lives to be the focus—with all the joy (and anxiety!) that falling in love can bring.
At the start of the Great Recession, one of the last auto stamping plants in Detroit is on shaky ground. The long hours and demanding shifts have turned the line workers into a family, but the stress and strain of an uncertain future threatens to do more than just gum up the works. Part of her career-spanning series of odes to the Motor City, Dominique Morisseau takes us deeply into the difficult choices each blue collar worker must face as they see the writing on the wall.