“I am responsible for everything that’s not made by a tailor or a dressmaker…and if I’ve done my job well, the audience isn’t going to know anybody did it.”
“I’m not a lover of clothes, necessarily, but I really love telling stories,” says Melanie Burgess, the guest costume designer for “Blues for an Alabama […]
Adventures in bloodying our production of “Julius Caesar” continue with our costume department rising to the challenge of bloodying costumes for six performances a week.
Jan Chambers gets big with her design and the artisans in our props shop and scene shop tackle it with aplomb!
It’s 1930s Chicago with 64 scenes in over 15 different locations. Where do you go with the set design of “Native Son” when all Bigger Thomas wants to do is fly? An airplane hanger, of course.
With the help for Propsmaster Andrea Bullock, Vivienne Benesch and Jim Findlay have dreamed up a world where where the past is constantly flowing in and out of the present.
Does our production of “Life of Galileo” have you feeling curious? Take a closer look inside PlayMakers’ costume shop to learn the ins and outs of preparing for a show!
How does a character’s personality inform Bobbi Owen’s costume designs? And how do those designs move from sketch to reality in the hands of draper Jane Reichard?
What’s the first thing you’ll notice when you step into the Paul Green Theatre “Leaving Eden”? Stuff—tons and tons of miscellaneous objects lining the perimeter of the stage.