Adventures in bloodying our production of “Julius Caesar” continue with our costume department rising to the challenge of bloodying costumes for six performances a week.
Posts Categorized: Behind the Scenes
Jan Chambers gets big with her design and the artisans in our props shop and scene shop tackle it with aplomb!
It’s 1930s Chicago with 64 scenes in over 15 different locations. Where do you go with the set design of “Native Son” when all Bigger Thomas wants to do is fly? An airplane hanger, of course.
With the help for Propsmaster Andrea Bullock, Vivienne Benesch and Jim Findlay have dreamed up a world where where the past is constantly flowing in and out of the present.
Does our production of “Life of Galileo” have you feeling curious? Take a closer look inside PlayMakers’ costume shop to learn the ins and outs of preparing for a show!
How does a character’s personality inform Bobbi Owen’s costume designs? And how do those designs move from sketch to reality in the hands of draper Jane Reichard?
What’s the first thing you’ll notice when you step into the Paul Green Theatre “Leaving Eden”? Stuff—tons and tons of miscellaneous objects lining the perimeter of the stage.
In Part II, we continue our look at the production process for “Leaving Eden,” cornering scenic charge Jessica Secrest to learn the secrets of painting one thing to look like another.
Get an insider’s look at the scenic production process for “Leaving Eden.” In Part I, we catch up with scenic designer Jan Chambers and the beginning of the construction process.