
Weathered and old, but sturdy and strong, it’s fitting for the striking visual of a large bridge to be at the center of the most theatrical play of the season here at PlayMakers.
Weathered and old, but sturdy and strong, it’s fitting for the striking visual of a large bridge to be at the center of the most theatrical play of the season here at PlayMakers.
Mark Hartman has whittled the “She Loves Me” orchestration down to fill out a 6-piece band. But it isn’t about economics; it’s a matter of director Kirsten Sanderson‘s vision for the show.
How does a character’s personality inform Bobbi Owen’s costume designs? And how do those designs move from sketch to reality in the hands of draper Jane Reichard?
PlayMakers Mobile set off in Spring 2017 to take great theatre outside of our building to share with the community. And each performance is absolutley free.
“She Loves Me” director Kirsten Sanderson introduces you to this exquisite, “perfect little gem of a musical.” Will you like it? You’ve just got to!
First seen on Broadway in 1963, “She Loves Me” was as good as lost to generations of theatergoers until the story of two feuding clerks at a Hungarian parfumerie got its first revival.
“As soon as I read it, I knew I would do it.” G Clausen makes his PlayMakers debut with a show that’s right up his alley. Experience the hip-hop-infused, rhythm-driven sound design of “Skeleton Crew.”
Finding the spirit of Robin Hood in a time that truly needs it can be difficult, but Jessie Austrian is up to the challenge. And she thinks you are, too.
Playwright and documentarian Mike Wiley is ever-mindful of history’s echoes. And never more so than in his upcoming new play “Leaving Eden,” with music by Laurelyn Dossett.
After working at numerous theatres across the country, Saheem Ali is bringing his artistic talent to PlayMakers for Molière’s “Tartuffe,” in a dynamic new adaptation by David Ball.