When a playwright trusts the audience, it can result in a truly powerful night at the theatre. Paula Vogel trusts you with “How I Learned to Drive.”
With the help for Propsmaster Andrea Bullock, Vivienne Benesch and Jim Findlay have dreamed up a world where where the past is constantly flowing in and out of the present.
Does our production of “Life of Galileo” have you feeling curious? Take a closer look inside PlayMakers’ costume shop to learn the ins and outs of preparing for a show!
Bertolt’s Brecht’s ‘Verfremdung’ isn’t so scary. It merely aims to be “That which makes the strange familiar, and the familiar strange.”
Weathered and old, but sturdy and strong, it’s fitting for the striking visual of a large bridge to be at the center of the most theatrical play of the season here at PlayMakers.
Mark Hartman has whittled the “She Loves Me” orchestration down to fill out a 6-piece band. But it isn’t about economics; it’s a matter of director Kirsten Sanderson‘s vision for the show.
How does a character’s personality inform Bobbi Owen’s costume designs? And how do those designs move from sketch to reality in the hands of draper Jane Reichard?
PlayMakers Mobile set off in Spring 2017 to take great theatre outside of our building to share with the community. And each performance is absolutley free.
“She Loves Me” director Kirsten Sanderson introduces you to this exquisite, “perfect little gem of a musical.” Will you like it? You’ve just got to!