First seen on Broadway in 1963, “She Loves Me” was as good as lost to generations of theatergoers until the story of two feuding clerks at a Hungarian parfumerie got its first revival.
“As soon as I read it, I knew I would do it.” G Clausen makes his PlayMakers debut with a show that’s right up his alley. Experience the hip-hop-infused, rhythm-driven sound design of “Skeleton Crew.”
Finding the spirit of Robin Hood in a time that truly needs it can be difficult, but Jessie Austrian is up to the challenge. And she thinks you are, too.
Playwright and documentarian Mike Wiley is ever-mindful of history’s echoes. And never more so than in his upcoming new play “Leaving Eden,” with music by Laurelyn Dossett.
After working at numerous theatres across the country, Saheem Ali is bringing his artistic talent to PlayMakers for Molière’s “Tartuffe,” in a dynamic new adaptation by David Ball.
Recently, we had the opportunity to speak with “The Christians” director Preston Lane about his early beginnings, directing process, and what excites him about directing this play now.
UNC student Elizabeth Holmes fell in love with theatre last season at PlayMakers. Turns out, there are six reasons this Tar Heel loves theatre.