In the age of swiping, liking, and messaging to find love, maybe “She Loves Me”‘s Georg and Amalia can help us find what we’re missing…
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Stability Through Song
“She Loves Me” director Kirsten Sanderson introduces you to this exquisite, “perfect little gem of a musical.” Will you like it? You’ve just got to!
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A Jewel Box Musical
First seen on Broadway in 1963, “She Loves Me” was as good as lost to generations of theatergoers until the story of two feuding clerks at a Hungarian parfumerie got its first revival.
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Factory Sounds, Detroit Beats
“As soon as I read it, I knew I would do it.” G Clausen makes his PlayMakers debut with a show that’s right up his alley. Experience the hip-hop-infused, rhythm-driven sound design of “Skeleton Crew.”
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The Break Room
One setting, four players. Scenic designer Jan Chambers and director Valerie Curtis-Newton take you inside the world of Dominique Morisseau’s “Skeleton Crew.”
Theatre can get a bad rep for being stuffy, but Dominique Morisseau is shaking things up with her Rules of Engagement.
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Out of the Ashes
Detroit, 2008. What was once an industrial powerhouse has become a microcosm of the threats to economic security and prosperity facing the nation.
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Embodying Robin Hood
Finding the spirit of Robin Hood in a time that truly needs it can be difficult, but Jessie Austrian is up to the challenge. And she thinks you are, too.
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Meet Laurelyn Dossett
“Leaving Eden” may be Laurelyn Dossett’s first time working with PlayMakers, but she’s no stranger to composing for theatre about North Carolina life.