With the help for Propsmaster Andrea Bullock, Vivienne Benesch and Jim Findlay have dreamed up a world where where the past is constantly flowing in and out of the present.
Does our production of “Life of Galileo” have you feeling curious? Take a closer look inside PlayMakers’ costume shop to learn the ins and outs of preparing for a show!
Happy Valentine’s Day from ‘Life of Galileo!” We’ve discovered over some stellar puns, just for you. Pass ’em around!
Bertolt’s Brecht’s ‘Verfremdung’ isn’t so scary. It merely aims to be “That which makes the strange familiar, and the familiar strange.”
For over 20 years, playwright Paula Vogel’s 1997 story of “How I Learned to Drive” has been striking a chord with audiences across the globe.
Director Vivienne Benesch takes a bold move toward mixing the past, present, and future in PlayMakers’ “Life of Galileo.”
“Theatre is a demonstration of the terms of our well being and is therefore valuable for the purpose of exposing wounds which have remained unhealed.”
What could possibly be more exciting than PlayMakers hosting a world premiere? The next-big-thing playwright and director-on-the-rise who are bringing it to life.
Dramaturg Mark Perry sat down with “Jump” playwright Charly Evon Simpson to learn more about her creative process. Here’s a bit of their conversation.
Weathered and old, but sturdy and strong, it’s fitting for the striking visual of a large bridge to be at the center of the most theatrical play of the season here at PlayMakers.