Playwright and documentarian Mike Wiley is ever-mindful of history’s echoes. And never more so than in his upcoming new play “Leaving Eden,” with music by Laurelyn Dossett.
Unscripted
Two is Better Than One!
This year we even got some guest artists in on the excitement of the rotating repertory. But have you ever thought about what it’s like being part of the rep?
Shining the Spotlight Backstage
Here at PlayMakers we have a permanent professional team of actors, designers, artisans, and technicians working on every show. So, we wanted to give YOU the chance to meet our team.
Saheem Ali: When the Play Chooses You
After working at numerous theatres across the country, Saheem Ali is bringing his artistic talent to PlayMakers for Molière’s “Tartuffe,” in a dynamic new adaptation by David Ball.
Recently, we had the opportunity to speak with “The Christians” director Preston Lane about his early beginnings, directing process, and what excites him about directing this play now.
The Pulpit and the Stage
In this play, we meet a group of people in conflict. The caretaker of their souls asks a powerful question that cracks open their foundation and shifts their understanding of the world.
5 Reasons We Love a Rep
Producing two plays on the same stage at the same time certainly involves a whole lot of craziness. Still, we’ve got 5 reasons we love a rep.
Repping the Rep at PlayMakers
The rotating repertory—two shows running in rotation over a the same six-week period—is a PlayMakers tradition seasons in the making.
What Does “Repertory” Mean, Anyway?
It’s happened to all of us. Upon hearing where we work, new acquaintances often ask, “PlayMakers Repertory Company, huh? What does that mean?” Well, really, it’s all in the name.