Shakespeare’s “Julius Ceasar” is a bloody tale of political and social scheming, but how do you make that blood happen on stage? Our props department is glad you asked.
![](https://playmakersrep.org/wp-content/uploads/2020/02/hands-caesar-blood_blog-feature.png)
Shakespeare’s “Julius Ceasar” is a bloody tale of political and social scheming, but how do you make that blood happen on stage? Our props department is glad you asked.
Jan Chambers gets big with her design and the artisans in our props shop and scene shop tackle it with aplomb!
The props in “Everybody” took creativity and “epicness” to the next level. Andrea Bullock, PlayMakers Props Master, explains how she helped bring this confrontation with death to life.
Brendan Jacobs-Jenkins’ “Everybody” whimsically revitalizes the 15th century morality play of “Everyman” and our own ever-present confrontation with Death.
The Amish are an easily recognized, but little understood people. Get your crash course in Amish life before seeing “The Amish Project.”
What does it take to take on a one-woman show? Kathryn Metzger sat down with the dramaturgs at Chautauqua Theater Company to talk about it.
While writing her play, Jessica Dickey knew little more than the basic facts of the shooting. Come knowing what she knew before you dive in to her fictionalized account.
Wondering where to sit for our 360° “Ragtime” experience? From Harlem to New Rochelle, we’ve got you covered from every angle, and for every fandom!
Director Zi Alikhan and the creative team are working to make the most immersive set PlayMakers has ever seen, giving audience members an new, up-close-and-personal experience.