Director Zi Alikhan and the creative team are working to make the most immersive set PlayMakers has ever seen, giving audience members an new, up-close-and-personal experience.
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It’s 1930s Chicago with 64 scenes in over 15 different locations. Where do you go with the set design of “Native Son” when all Bigger Thomas wants to do is fly? An airplane hanger, of course.
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Where in the World is Viv?
Here’s what our Artistic Director Vivienne Benesch is up to while directing in D.C.
Like many acknowledged classics, “She Loves Me” had a long and compelling genesis, but for songwriting team Sheldon Harnick & Jerry Bock it was “love at first write.”
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Embodying Robin Hood
Finding the spirit of Robin Hood in a time that truly needs it can be difficult, but Jessie Austrian is up to the challenge. And she thinks you are, too.
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History is Happening at PlayMakers
It’s been an historic couple of weeks here at PlayMakers! Amid the bustle of our season opener, came three incredible announcements that have us bursting with excitement.
By Joseph Haj, Director After fourteen months of reading, research, planning and preparation, here we are beginning rehearsals for Cabaret and I am filled with […]
Todd Lawson and Katja Hill inIt’s a Wonderful Life: A Live Radio Play Returning to PlayMakers to play the role of Lana Sherwood in It’s a […]
Scenic Designer McKay Coble on her set for PlayMakers’ It’s a Wonderful Life: A Live Radio Play The backdrop for It’s a Wonderful Life: A […]